Showing posts with label redcat. Show all posts
Showing posts with label redcat. Show all posts

Friday, May 14, 2010

Billy Childs Jazz/Chamber Ensemble At Redcat

This should be a great concert. Billy Childs is one of the greatest pianists in LA, who always writes exciting music, and this looks like an interesting work that he is showing off. It also includes a stellar line-up of high-caliber, musicians. Highly recommended!





Line-up:

Billy Childs - piano
Larry Koonse - guitar
Carol Robbins - harp
Bob Sheppard - sax, flute
Hamilton Price - bass
Smitty Smith - drums
Sarah Parkins - 1st violin
Sarah Thorneblade - 2nd violin
Kate Vincent - viola
Maggie Parkins - cello

Thursday, June 10, 2010
8:00pm - 11:00pm
Redcat Theatre (in the Disney Concert Hall)
631 West 2nd Street
Los Angeles, CA

Thursday, April 15, 2010

California E.A.R. Unit/Sonic Boom plays Lou Reed's Metal Machine Music @ Redcat and UCI



California Ear Unit performs Lou Reeds- Metal Machine Music, transcribed by Ulrich Krieger

From Redcat website:

“Triumphantly out there… The E.A.R. Unit is known for taking left turns away from convention.” Los Angeles Times

“Krieger’s adaptation of Metal Machine Music is daring, explosive.” Chicago Reader

Ulrich Krieger’s latest electroacoustic version of Lou Reed’s audacious 1975 double-LP guitar feedback epic is the occasion for this expertly rendered hour-plus of clangorous mayhem from the California E.A.R. Unit and Krieger’s Sonic Boom outfit. First transcribed and arranged for chamber orchestra in 2002, Krieger’s score has as one of its biggest fans none other than Reed himself—so much so that the iconic rocker joined in with the German avant-garde ensemble Zeitkratzer for the work’s world premiere. The new adaptation of Metal Machine Music, part of an ongoing project by Krieger, seizes on the complex orchestral scope of Reed’s original, its modal use of pitch and rhythm, its bold yet intricate colors, and its sheer freewheeling, hard-rocking gutsiness—with the virtuoso players of the E.A.R. Unit and Sonic Boom coaxing from their instruments the improbable deep noise that Rolling Stone once called “the tubular groaning of a galactic refrigerator."


April 20th
Redcat
8:30PM
631 West 2nd Street
Los Angeles, CA 90012
USA
213 237-2800
http://www.redcat.org/event/california-ear-unit-4
Price: $20


April 21st
8:00PM
University of Cal. Irvine
Gassmann Electronic Music Series
The Winifred Smith Hall
Irvine, CA 92697

Photo of California EAR Unit by Richard Hines

Photo of Ulrich Krieger/Sonic Boom by Scott Groller
© CalArts 2008

Thursday, March 4, 2010

CEAIT Festival 2010 March 4 & 5 at 8:30pm @ Redcat

This looks like it is going to be an incredible two nights of electronic music in downtown @ the Redcat. Carla Bozulich, Steve Roden, John Wiese, and Better Than Future (with fantastic Scott Cazan, Casey Anderson, & Beth McMullin), plus more! Surely not to be missed!

CEAIT Festival 2010
March 4 & 5 at 8:30pm

REDCAT
631 West 2nd Street
Los Angeles, CA

CEAIT Festival
Featuring John Wiese, Maria Chavez, Marcus Schmickler, Better Than Future, Steve Roden, and Bloody Claws (Carla Bozulich)
World and U.S. premieres

“[Steve Roden’s work] is aural performance art... Simplicity and beauty, sparse and Zen…” Igloo

"Bozulich is following a muse that runs her ragged." Stylus

The genre-bending festival from the CalArts Center for Experiments in Art, Information and Technology returns with two concerts that each run from abstract reveries to flat-out sonic raucousness. John Wiese, founding member of the concrète grindcore band Sissy Spacek, opens the fest to crackling effect, followed by Peruvian-born avant-garde turntablist Maria Chavez, who uses new and broken needles (“pencils of sound”) and distressed vinyl to spin brooding webs of electroacoustic sound. The night concludes with composer Marcus Schmickler, of Pluramon pop fame, and two newly revised works of surround-sound computer music derived from astrophysical data. The second program kicks off with electronics and laptop interpenetrations by Better Than Future, comprising Casey Anderson, Scott Cazan and Elisabeth McMullin. Next up is a multimedia performance by Steve Roden that ruminates on desert landscapes outside Marfa, Tex., and the minimalist forms of Donald Judd through juxtapositions of field recordings, live improvisation, graphic notation, acoustic objects, electronics and video. The festival’s smashing finale arrives courtesy of Bloody Claws, aka Carla Bozulich, a sound artist who works in numerous impromptu formats and who has toured and recorded extensively with the Geraldine Fibbers, Scarnella and Evangelista. She appears alongside a very special guest.

John Wiese | Maria Chavez | Marcus Schmickler
Thurs Mar 4 | 8:30 pm

Better Than Future | Steve Roden | Bloody Claws (Carla Bozulich)
Fri Mar 5 | 8:30 pm